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    On the Road
    by Jack Kerouac
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    Blue Highways: A Journey into America
    by William Least Heat-Moon

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Wednesday
Oct242012

Blue Highways: Greenwich, New Jersey

Unfolding the Map

William Least Heat-Moon (LHM) gets an account of an organization battling a large company over issues of sustainability and corporate responsibility.  I used to work in the field of corporate social responsibility, and it was an exciting time of my life that I'll reminisce upon in this post.  To see where this Greenwich, New Jersey (can you believe that there are three of them?!) is located relative to everything else, responsibly consult the map.

Book Quote

"'We've had time to organize and make changes because the demand for power in the seventies didn't increase as much as A.C.E. predicted it would.  Technical problems at the Salem nuclear plant gave us time too.  Now, if you ask me, both regulations and time are on our side - on the side of history.  It's easier to keep a developer under a quiet but continuous pressure to act with corporate responsibility.  But for us, it was an awakening at the brink.'

"'The problem of what we're doing lies in deciding what's the benefit of history and what's the burden.  We're not trying to hold back the future, but we do believe what has happened in Greenwich is at least as important as what could happen here.  The future should grow from the past, not obliterate it.'"

Blue Highways: Part 9, Chapter 11


Monument to the Greenwich Tea Burners in Greenwich, Cumberland County, New Jersey. Photo by "Smallbones" and hosted at Wikimedia Commons. Click on photo to go to host page.

Greenwich, New Jersey

In 1995 I moved to San Antonio, Texas.  In January 1996, I started a job as the director of an organization called the Texas Coalition for Responsible Investment (Texas CRI).  The organization still exists as the Socially Responsible Investment Coalition (SRIC).

I had never invested in my life.  I knew little about Wall Street.  But, here I was as the head of an organization that had "investment" in the title.

I soon learned that I would have little to do with actual investing.  Texas CRI was a coalition of about 20 religious organizations and institutions, mostly Catholic, that made investments in the stock market and yet wanted their investments to reflect their values in social justice and environmental responsibility.  A typical example of such an institution is the Sisters of the Holy Spirit and Mary Immaculate, an order of Catholic nuns based in San Antonio that invested pension money to maintain their elderly and retired members.  Like the Sisters of the Holy Spirit, other members of the group such as the Missionary Oblates of Mary Immaculate, the Sisters of Charity of the Incarnate Word of San Antonio and the rest did not want to invest in companies that promoted tobacco, or profited from weapons manufacture, and other issues that they deemed important.  So, each of these organizations at the very least put restrictions on their investment managers that kept their pension money from going into such companies.  This was the minimum action for socially responsible investing.

To a point.  Some of our members would invest a token amount in companies that they deemed irresponsible in some way.  By doing so, they became shareholders, and obtained the rights and privileges of being a shareholder.  One of the rights and privileges was that shareholders could propose resolutions to be taken up and voted upon at corporate annual meetings.  And that's where I came in.  I was responsible for keeping up with the social and environmental issues that were most critical and relevant and reporting back to our members.  They in turn might decide to file a resolution with a company, or to support a resolution that another group was planning to file.  We often filed 50 or 60 resolutions a year, on everything from asking companies to report on their emissions to proposing increased wages for workers in maquiladora factories at the US-Mexico border, to asking companies to report on efforts to minimize or eliminate the glass ceiling.  Our group was part of a broader network of Christian, Jewish and Muslim groups and institutions around the US under the umbrella of an organization called the Interfaith Center on Corporate Responsibility (ICCR), based in New York City.  (A side benefit of this job was that I got to spend about 15 days a year in New York City at various meetings.)

We never filed a resolution with an expectation that we would get the necessary number of votes.  Often, we were happy if 10% of the shareholders voted with us.  But, a resolution on an issue often caught the attention of the company management, who would then meet with us in discussions.  If there was some movement on an issue, we would often consider withdrawing our resolution.

I remember sitting, with my priest and nun colleagues, with corporate people from various companies, like GM and GE, Ford, and Texas Instruments and discussing whatever issue we had with them.  It became apparent that corporate responsibility was a difficult goal.  Whatever you think about corporations, good or bad, it is best to remember that they never do anything without looking at how it will affect the bottom line.  If something cuts into profits, they are reluctant to do it.  Corporate responsibility is rarely done because it will solve a problem, or right a wrong.  Companies do not care about values unless they can be convinced that doing so will help their image and sell more products.

But even then, persuasion can take place.  A member of our coalition was a small, Irish nun named Sister John Marie.  She was the treasurer of the Sisters of Charity of the Incarnate Word in Houston, and she was legendary for what she accomplished.  In a meeting with Jack Welch, then the CEO of General Electric, she made the case about how GE's work in nuclear weapons research was not only bad for the world, but also bad business and that the Sisters were planning to divest themselves of GE stock over their association with weapons laboratories in New Mexico.  I don't know if Welch and GE's board were moving in that direction already and Sr. John Marie provided a gentle nudge over into a certain action, or if Sr. John Marie actually moved him in some way.  I'm cynical enough to believe that GE was moving in that direction anyway and needed a push.  Whatever the story, GE ended its management of the federal government's nuclear weapons research at Sandia National Laboratories in Albuquerque.

Which is where I get back to the quote, because it's easy to talk about corporate responsibility, and to urge corporations to do the right thing, and to promote that they take a long-term view over short-term profits.  It's more difficult to convince them to do so.  Promoting responsibility to corporations involves showing them that a long-term view can satisfy their goals, bring them credibility and increase profits.  In the quote above, the speaker is Roberts Roemer, who fought the Atlantic City Electric Company (A.C.E) to keep it from acquiring land that would have ruined the historic character of Greenwich, New Jersey.  What really stopped A.C.E?  Their plans wouldn't be as profitable.  They don't, as a corporation, care about historic character.  Perhaps individual people in the corporation do, but the company does not.  The company cares about bottom line.  If organizations can understand this, meet them on those terms, and convince them using business logic, success is more certain that everyone gets what they want. 

Regardless, sometimes being that strategic doesn't work either.  The next time you hear calls for boycotts, you are witnessing what often happens when profits simply outweigh a corporation's willingness to consider any alternatives.  I consider it the downside of capitalism, especially if their profits are made off of actions that have the potential or actuality of doing irreparable harm.

Musical Interlude

I don't know why this song comes to mind, but I think it has a lot to do with corporate responsibility.  I really liked the version of Big Yellow Taxi by Counting Crows and Vanessa Carlton when I heard it but I also love Joni Mitchell's iconic version as well.  I give you both - you decide.

If you want to learn more about Greenwich

Cumberland County Historical Society
Greenwich: a seaport town with a rich history
Greenwich Tea Burning 1774
Historic Greenwich NJ
Wikipedia: Greenwich Township, Cumberland County

Next up: Hancock's Bridge, New Jersey

Friday
Oct212011

Blue Highways: Camas, Washington

Unfolding the Map

William Least Heat-Moon (LHM) is beginning to head east, but stops for an Arkansas Traveler moment with a farmer near Camas, Washington.  What does that mean?  Think of it like a mid-1800s version of the Abbott and Costello Who's On First.  There's a little more to such moments than just comedy, sit back, laugh and enjoy the show.  Oh, and take a look where Camas is located on the map.

Book Quote

"In Vancouver I lost the highway, found it again, and drove east on state 14 to follow the Columbia upriver until it made the great turn north....I breathed a fresh odor of something like human excrement.  Near Camas I stopped where a farmer had pulled his tractor to the field edge to reload a planter.  'What's that terrible smell?' I said.

"'What smell?'

"'Like raw sewage.'

"'That's the Crown-Zellerbach papermill.'

"'How do you stand to work in it?'

"'I don't work there.'"

Blue Highways: Part 6, Chapter 7

 

Downtown Camas, Washington. Photo by Triddle and hosted at Wikimedia Commons. Click on photo to go to host page.

Camas, Washington

The passage above, where LHM asks the farmer what smells, reads almost like an Arkansas Traveler joke.  If you have never seen or heard an Arkansas Traveler joke, the format goes something like this:

Traveler:  Hey farmer, where does this road go?

Farmer:  As long as I've been here it ain't gone nowhere.

Upon first reading of the Arkansas Traveler jokes, the farmer comes across as an uneducated hick.  And some might see the Arkansas Traveler jokes as equating rural America with backwardness and a lack of education - a place full of dumb bumpkins.  In fact, Arkansas itself made the Arkansas Traveler it's official state song from the 40s into the 60s, and it is now classified as the official state historical song.  What the Arkansas Traveler really does is highlight tensions between people on opposite sides of the American cultural spectrum.

In the typical telling of the jokes, and in the song The Arkansas Traveler, the traveler keeps asking the farmer questions and keeps getting answers that seem evasive.  The traveler gets annoyed, but never quite gets the straight answer he wants.  He wants to know where the road ends up.  Of course, the farmer, perhaps uneducated but also very clear, literal and to the point, is in his mind telling the traveler exactly what is, not what the traveler wants.  Therefore, in the farmer's mind, the road has been there as long as he has.  It is still there and as far as he can tell, it isn't going anywhere soon.

The Arkansas Traveler has been traced back to as early as the 1840s as a fiddle tune and a popular skit performed by traveling comedy troupes.  The tune is the same tune that many of us teach our children to this day - "I'm bringing home a baby bumblebee.  Won't my mommy be so proud of me!  Yes I'm bringing home a baby bumblebee.  Ouch, it stung me!"  The skit, according to the website Not Even Past, looked something like this:

The skit portrayed a traveler (usually from the city or the East) coming across a squatter in rural Arkansas.  As the squatter repeatedly saws the first strain of the tune on his fiddle, the two engage in pun-riddled banter.  “Where does this road go?” the traveler asks.  “It don’t go nowhere.  Stays right where it is,” comes the reply.  Tension grows as the traveler’s questions become more antagonistic and the squatter continues to dissemble.  It is finally eased when the traveler grabs the fiddle and finishes the tune that the squatter had started.  Laughter ensues, and the squatter welcomes the traveler to stay the night.

From Sounds of the Past by Karl Hagstrom Miller

The University of California at Santa Barbara's Cylinder Preservation and Digitization Project has a copy of the Arkansas Traveler skit on an Edison Gold Moulded [Cylinder] Record issued sometime between 1889 and 1912.  The performer listed is Len Spencer, and you can hear it here.  There are other versions of the recording, with variations in the jokes.

One can read these types of jokes as a commentary on many different things.  For those who want to look down on a rural life and see the inhabitants of a rural area in stereotype, these jokes can serve as a way to promote the superiority of the educated urbanite.  For those who trumpet the virtues of a simple, back-to-the-land existence and elevate the "salt of the earth" farmer and his plain-spun homey wisdom, such jokes show how out of touch high-falutin city-dwellers are.  Some might read class into the exchange between farmer and traveler, with a wealthy traveler looking down his nose at a poor farmer and the farmer taking the opportunity to poke fun at the rich traveler a little.  A more middle ground on this issue might be that people in both lifestyles don't communicate well and can't understand each other.

LHM, faced with the plain answer of the farmer, responds with a simple "fair enough."  However, it's clear that the farmer, living with with the smell of the paper mill every day of his life, simply takes it for granted. It has become part of his landscape, just as the dirt and the plants he grows and the farmhouse he lives in is part of his daily reality.  Chances are he hasn't even thought of the smell until LHM asks him about it.  Therefore, there is a disconnect when LHM asks him how he can stand to work surrounded by such a smell, and he responds by telling LHM that he doesn't work in the paper mill, thus signifying that he doesn't work in it.

I think overall, however, the jokes reveal even more about what was going on in America.  At the time, rural America was made up of more small farms, but there was tension between the urban, industrial centers and the rural farming communities.  We see the same types of tensions today in developing countries, for that's what the United States was in the 1800s, a developing country.  Add to those tensions the political battles between the industrial and urban North and the agricultural and pastoral South.  One might be able to read many of those types of tensions into the Arkansas Traveler.  This was at the beginning of a great shift that has come with industrialization.  Making a living at farming is difficult, and one or two bad years could bankrupt a farm.  Where would a farmer go if he couldn't farm?  He would end up in the slums and ghettoes of big cities and trying to find a job in the factories.  Farmers may have been the salt of the earth, the backbone of the United States, once, but then they found themselves competing with new immigrants such as Italians and Irish now.

LHM's twist on the joke is that all of the elements are right there in front of our noses.  The industrial Crown-Zellerbach (now Georgia-Pacific) paper mill, the rural farmer, and LHM all come together near Camas, Washington.  LHM is clearly not a wealthy traveler, but he is a traveler nonetheless and unfamiliar with the ways of the region that he is in.  He may be asking an innocent question, but he has no idea what suspicions, resentments.  He has no idea what the farmer thinks of him.  Remember, LHM at one point was looked upon suspiciously by a man and his wife traveling in an RV.  At best, the farmer is poking fun at LHM.  Most likely, though, the farmer thought his question a silly one, and answered accordingly.

Musical Interlude

I wrote that there is a song about The Arkansas Traveler.  I really wanted to find a modern version by Michelle Shocked from her Arkansas Traveler album, but I couldn't locate one.  However, I did locate a version by Archie Lee in the Florida Department of State's Florida Memory Project.  He touches upon a lot of the Arkansas Traveler jokes in the song.  It's very enjoyable, and shows that this particular and long-lasting version of the urban-rural divide stays alive and well even in the 21st century!

Arkansas Traveler by Archie Lee.

If you want to know more about Camas

Camas-Washougal Post-Record (newspaper)
Center for Columbia River History: Camas Community Exhibit
City of Camas
Wikipedia: Camas

Next up:  Skamania, Washington